Meet Laverne...

and Shirley!

One's straight-laced, one's a little more adventurous. They are similar feather designs with different spines. If not sister designs, AT LEAST coworker/roommate designs.

Even though it's a challenge to say Shirley and Laverne in that order, Shirley is where I want to start because that is the order of design conception.

I liked the idea of the feathers nesting and interlocking within peaks and valleys of each row.



As with any design, I try to use backtracking or over-stitching as little as possible. When I would free-motion quilt, I made my feather bumps in the same fashion, but with the computer, I can "build my spine" incrementally as I progress from left to right.

Even though the designs look very similar, they are set up differently.

The Shirley design is made up of one feather motif that repeats and the Laverne design is made of a couplet that repeats: an upstream and downstream spine. See more...

Want an easy solution to quilting that looks like you spent HOURS on back-breaking ruler work?

Paradoxical is the design for such a time as this!

This hexagonal-shaped series of straight lines would look amazing on a modern quilt top.

With this edge-to-edge design, you get the look of complexity with the ease of set-up and use.

As for set-up, you'll want to offset every other row at 50% and close the gap between rows until the amount of spacing between the rows looks the same as the distance between the lines with the motif at the scale you choose.

When I'm testing out a new design, I stitch it out to make sure everything is sequenced property and quilting smoothly. I usually only do one sample, but after the first attempt, I found ways to drastically improve the stitch path without changing the design. For the second time around, I decided to make the scale much smaller. In the next photo, you can see the original sample on the left and the...

I love feathers. 

I took my first quilting class in 2005. Not a piecing class, an honest-to-goodness beginner's machine quilting class that taught things like which materials to use, how to baste, and how to {start to} free-motion quilt.

In that class, we saw examples of real-life quilts that had been quilted. Our instructor passed around even more books of incredibly inspiring quilting. I fell for hard for feathers right then and there!

This was also the class where I heard ladies talking about long arms and I just nodded along, not having any idea about what that could be referring to.

Basically, I've loved feathers ever since, in all kinds of iterations. I practiced drawing and quilting them until I got it down pat. I started out being truly the worst at it! It's not a natural thing—knowing how to create feathery shapes. Thank goodness for books and (much later) YouTube! 

As for this design, I wanted to make...

Early on, when we were just starting to offer our Rookie Season course, we had a student mention that she did not have to pay sales tax on her longarm machine because she had a business with an EIN already established when she bought it.

Cue the record scratch! 

I don't remember ALL the details of buying my longarm machine (it had been nine years prior), but I definitely remember paying sales tax on it. I would have had a sales tax permit at the time, too, I just didn't realize I could've used it to get an exemption on paying sales tax in my state. I bought my machine used without a computer, so this would have "only" been a savings of ~$700, but STILL! That money could have been put to good use applied to other start-up costs. 

The more I started asking around within the Longarm League community, the more I realized that this is a legitimate thing and available to more of us than I realized! I even called a machine...

I have to be honest and say I wasn't very excited about this design until I stitched it out. The moment I did, I was smitten by the texture! In fact, this sample has remained "staged" around my home well after the pictures were taken and it continually catches my eye! 

When I was designing it, I had a draft of the shape saved as Keyed in the computer... because the one repeat looked like a type of a key? I'm never sure how these things take hold, I just knew it needed a new name. Naming is hard! I want a name that is unique so that it won't be confused with other pantographs on the market and it's always nice if there's an element of the design that ties to the name in some kind of way.

I asked Josh for naming suggestions and he thought that the design looked like a little sailboat which made him say "Yacht Rock". And obviously, that had my interest right away.

Yacht Rock is a hard-to-define genre of music, although the Wikipedia...

For this new design, I wanted to explore a geometric and simplified version of a flower. In general, I'm not into flowers or gardening, so I really have no idea if it looks like anything existing in nature. Also, please don't hold that against me! It feels like I'm violating a sacred quilter's code or something. Quilting and gardening seem to go hand in hand.

What I do really like, however, are simple repeatable shapes. I like the way the texture can recede into the background and be present, even when it doesn't have to be the star of the show.

Another thing I try to watch for as a designer is that the quilting is evenly spaced, giving a nice uniform texture to an edge-to-edge design. It's the little things like this that make me happy! 

This sample quilt size is approximately 45" x 50". For reference in scaling this design, the pictures here show a row height of 3.5". If you include the gaps between the rows, the total...

While this type of design is not new, we as quilters may not see extended-width designs often. However, they seem to be trending in popularity as of late. Unfamiliarity with these kinds of designs can lead to avoidance, which is a valid reaction. But, as the market grows with beautiful and creative new extended-width designs, I'd like to provide some information so that you don't have to miss out on using them. 

First, we'll look at what an extended-width design is, we'll discuss some advantages and disadvantages of the designs, and then at the end, there'll be a list of video tutorials so you can learn best-practices for setting them up with your own software.

What Is an Extended-Width Digital Quilting Design?

To answer this question, let's first look at some "typical" edge-to-edge (E2E) designs that we most commonly buy online and use in our computerized longarm machines.

Above are some of my own designs with varying degrees of complexity. I wanted to show...

Megan Ellinger—a member of the Longarm League—asked if she could interview me for her YouTube channel, and I heartily agreed! Her YouTube channel and business name is Tiny Orchard Quilts.

Most of our members provide longarm quilting services to clients, so I was intrigued about her business model as it's a bit more "non-traditional". Naturally, I asked if I could also flip the tables and interview her for a behind-the-scenes look at her business. She agreed and we had so much fun having two back-to-back and totally different conversations about quilting and the business of quilting! 

The interview that we recorded for her channel went live last week, you can watch it here. We covered a lot of ground! Her audience had a lot of great questions about what it's like working with a longarm quilter such as typical costs and turnaround times, and we talked about the League itself, including our Rookie Season course. Megan even did the...

The Longarm League's latest digital pantograph release is called Friends of P. Yes, it's a strange name for a digital pantograph design, but it's also the name of a quirky and catchy song from the mid-nineties by a band called The Rentals. Watch the video here and I'm so sorry if it gets stuck in your head!

I hope it's obvious as to why Friends of P came to mind when I was trying to name this design. My maiden name starts with a P also, so I guess I'm partial to the letter.

There is certainly a "mod" vibe to this design as well, so keep it in mind for your grooviest, mid-century-looking tops! :) 

This sample quilt size is approximately 45" x 50". For a reference in scaling the design, the pictures here show a 4.0" row height with a gap between rows of -0.396" which created a pattern height of 4.396".  

There are some small areas of backtracking, back-stitching, over-stitching, whatever you want to call it, but...

I'm an Iowa girl and corn on the cob is in season, and so I feel like this design was inevitable. It seemed appropriate to release to the Longarm League as a bonus this month (August of 2021).

Sometimes, I look back at my own hand-guided quilting for inspiration when I'm trying to come up with new digital designs. I'm talking about the days before I had my computer and this would have pre-dated my Intelliquilter by a few months.

I designed and made the quilt shown here with my guild-mates from the Central Iowa Modern Quilt Guild. It was for the QuiltCon charity challenge and the picture was taken while it was still in my studio in January of 2017. I added the corn on the cob-themed quilting to the gold background areas and added basting stitches to the white and gray areas so that my friend Riane Menardi Morrison could hand quilt it. Why did I go "all in" on the corn idea? The block that we experimented with in the quilt is called the...