The Design

Are you familiar with "extended width" digital quilting designs? Usually, the standard files we upload contain one repeat that's multiplied side by side across and down the quilt by our software when in pantograph mode. With extended width designs, the design itself is typically around 100" wide—give or take—with any repeating sections "built in". If you are new to this kind of design, read more here (including specific info if using Intelliquilter). The main takeaway is that they need to be set up as a block pattern.

 Rich Girl is an extended width design that stitches out very quickly. The echoed lines are angled very subtly, but the diamond shapes that result amidst the lines give just the right amount of contrast in their open spaces.

This is a perfect design to use as an alternative to straight line quilting. It will unify a busy quilt top like straight lines do so well, but with a bit of added, low-key interest. 

As I was stitching this out, the design ...

First thing's first. It's pronounced shandy.

I didn't want to spell it with an "s" because I think the descending circles give off big chandelier energy and wanted to maintain that attribute as part of the name. Also, I believe there are other chandelier named pantographs, so Chandy seemed like a fun way to distinguish this one.

As far as other design attributes, this pattern features repeated lines at opposing angles and at different intervals that provide interesting texture. Throw in some circles, and you get a dynamic result! 

The interplay of the rows is central to the design, so make sure to read the technical details before using this digital pantograph.



True story: I stitched probably a good 20" of another design (that I'll release soon) on this quilt before I decided it was all wrong and unpicked everything. It actually could have been cute at a smaller scale, but against the simple shapes of the patchwork, I felt the quilting needed a bit more oomph. That's wh...

Always is a new digital pantograph design that is a breeze to stitch out. The curvy contours of this shape work so well in providing a pleasant contrast with the straight lines and angles of most patchwork.



There's a retro feel to this design, too, but will fit the "mood" of many contemporary or modern quilts.

The Name

You might know from reading my previous blog posts that I often use a working title for designs before they get released and need a "real" name. Well, the working title for this one was Lightdays because of the shape resembling a pad. And well, growing up I could count on that particular brand being tucked away in the bathroom cupboards, so that's what my mind went to. My sister thought this was hysterical when I texted her the design with the name, and that's all that really matters. 😂

But obviously I couldn't actually use Lightdays as a name. I didn't want it to be THAT obvious or cause anyone to avoid using the pantograph because of the name. I asked my fr...

This is Sketch! Up until very recently, I'd planned to name it Cottonwood but when I discovered that's already another designer's pantograph name (with a related hashtag). I decided to go off-script and name it something unique.



The only trouble with having a really abstract design that could look like one hundred things and also nothing? Naming was hard. Why does it seem that I either have great name right away or I'm stress-listing stream of consciousness options and calling on friends and family for help? There's no in-between!

What I like about this design is that it's much more abstract and off-kilter than designs I normally create. There's a fun energy to this design—a bit folksy and quirky. I'm ordinarily not one to use negative space when it comes to pantograph designs, but I have to say that I like the organic-looking spacing of the motifs between the rows with this design. It looks more free-flowin', like a sketch!

I also like that the overall texture reads as ro...

Volunteer is a simple, uncomplicated edge-to-edge quilting design meant to create an interesting and bold texture.
 

In fact, 'Bold' was the working title of this design as I was saving and re-saving different options along the way. I also briefly considered naming it Lots of Love, but thought that might be too confusing. It looks a bit like LOL, and in the early days of the Internet, people on message boards couldn't decide if LOL stood for Laugh Out Loud or Lots Of Love. 

In the end, I thought Volunteer works as a name because it looks like a person raising their hand. And I like one word names that haven't already been used for other E2E designs.

I think this quilting design would be great for modern-looking, geometric or graphically bold quilt patterns or fabrics. Or perhaps a child's quilt!

Here are the specifications for how I set up this design using my Intelliquilter on a baby-sized quilt sample (40" x 50" quilt size):

Row height: 2.797"
Gap: -0.743"
Pattern ...

Now that my day job is supporting the Longarm League membership and teaching new longarm quilters how to start a business, I need to be extremely intentional about setting time aside to feed my own creativity or it does not happen.

After a 4-year hiatus, my passion for piecing was reignited this year after being invited to a retreat at Stitch Supply Co. in Altoona, Wisconsin. It was glorious! The desire to plan, cut, and sew a quilt top has stuck with me since retreat. I'm drawing the distinction here between piecing and quilting because I frequently quilt samples of new digital edge-to-edge designs, but that isn't the same feeling as creating patchwork.

It's safe to say, patchwork and I are back "on" again.

The Patchwork

For this project, I started with a palette in mind. I pulled scraps from bins of pink, orange, yellow, and blue. I decided to work with the teal-y blues although I did let some darker royal shades pass through my filter.

I originally planned to make a lot of ha...

Buying new digital pantograph designs is often as enticing as picking up a fat quarter—or ten!—at your local quilt shop. They can be oh-so-appealing, but which ones will you actually use the most in your business?

I can remember designs that I fell in love with and purchased on the spot, yet never actually used on a client’s quilt top. Conversely, there were several that I used over and over again, wringing every drop of value out of them. I developed my favorites based on ease of use and versatility.  Of course, a longarm quilter's personal style and preferences can certainly play a part when making recommendations to clients, as well.

It’s been a while since I’ve quilted for others, so I thought it would be fun to ask other quilters what their current go-to pantographs are. I invited quilters from the Longarm League membership—along with other quilters who follow our social media accounts or subscribe to our email newsletter—to chime in with their current favorite edge-to-edge design...

The inspiration for the Groove design came from the subtle curve of lava lamps. I really liked the idea of non-symmetrical, gentle curves contained within the straight lines and perpendicular angles that "house" the lava lamp shapes.

Do I detect a "mid-century modern" vibe here? It wasn't intentional but I also wouldn't be mad about that. Not one bit!

The orientation of the design is more of a vertical nature, which just doesn't seem to be as common with digital edge-to-edge options. Much like the 'positive', sometimes you want to ac-cen-tuate the vertical! 

The repeated motif is staggered, meaning that when it comes to setting it up with your computerized system, you will not need to offset. Just close the gap between the rows and you'll be good-to-go. The stitch path can be viewed in the video at the top of this post. There is some backtracking, but overall it has a smooth and fluid stitch path.

This design would be great on modern quilt tops or like I mentioned ear...

In our Longarm League private community, we have a forum where we can ask each other for pantograph suggestions for clients' quilts. Over and over again, I find myself recommending really simple designs like straight lines, Good Vibrations, Rumble, Wishbone, Soho, etc.

I wanted to make a REALLY simple design that also looked... organic. Blackbird is what resulted.

I simultaneously really like this one and am—what's the word, embarrassed?—by its simplicity.

Hey, they don't all have to be head-scratchers. You know, those designs that you have to stare at to find the repeat or are mesmerized by the complexity of the design. This one is pretty darn straightforward.

I'll give you four great reasons why we shouldn't shy away from offering simple designs to our clients:

1. FAST - I loaded up this up baby quilt and stitched it all out in an hour's time.
2. EFFICIENT - My machine uses the smaller L bobbins and this took less than one bobbin.
3. PROFITABLE - The faster and more...

Longarm League member Rebecca Grace Quilting (if you like reading quilting blogs, you'll love Rebecca's!) sent me an email a while back with a photo of home dec fabric, noting the design would make a great digital pantograph design.

I agreed wholeheartedly and tucked it away in my brain to think about later. You see, being the "Commish" of the Longarm League means that 95+% of the time, I'm working on all things other than designing pantographs. I love this part of the job, though, and hope to devote more time to it in the future.

 The leafy design was very appealing to me, but the biggest problem was that I could NOT figure out what portion of the design I could repeat to get the overall effect. It took a few days of playing around in Art and Stitch and doodling on my Remarkable tablet to crack the code.

Once that code was cracked, the other major dilemma was to figure out how to sequence the stitch path so that it'd make "nice" lines. It was pretty clear that I'd ne...