The most important thing to know about our new Driftwood design is that it's an extended width design. This means that instead of a snippet of design that's repeated side by side across the quilt, the design is actually over 100" wide. New to this type of design? You can read more about extended width designs here and see a video of me setting up an extended width design with my Intelliquilter software.

For me, the best part about Driftwood is the organic "pods" of negative space make the texture really stand out.

Driftwood would be a great quilting design to use on a busy quilt because it'll have a unifying effect. I recently pieced together a scrap quilt for which I think Driftwood will be a perfect complement. In fact, I'm planning to load that quilt on its side so that I can get an elongating effect of the lines running vertically on the large throw quilt.

Driftwood would also be great on a nature themed quilt as the organic wavy lines could represent water in addition ...

Wishbone History

Do you know how long I've been meaning to write a blog post about Wishbone? Well, I started this draft in August of 2020. The design was a few years old by that point.

Wishbone is the first design I ever released to the public in September 2019, mere weeks after the Longarm League membership started for the first time. I designed it the prior year due to the frustration of not being able to find a design simply referred to as 'Loops' by some Statler Stitcher owners I followed on Instagram.



I spent hours combing the Internet with the intent to buy the looped design, but resorted to making a version of my own when I couldn't locate it. This gave me a chance to use my Intelliquilter's editing tools to create the must-have elements that I wanted: 60º angled lines and meaty "teardrop" shapes that would nest with the rows above and below.

The resulting design lived on my tablet for a long while until I bought Art and Stitch software and was able to export it, s...

In our Longarm League private community, we have a forum where we can ask each other for pantograph suggestions for clients' quilts. Over and over again, I find myself recommending really simple designs like straight lines, Good Vibrations, Rumble, Wishbone, Soho, etc.

I wanted to make a REALLY simple design that also looked... organic. Blackbird is what resulted.

I simultaneously really like this one and am—what's the word, embarrassed?—by its simplicity.

Hey, they don't all have to be head-scratchers. You know, those designs that you have to stare at to find the repeat or are mesmerized by the complexity of the design. This one is pretty darn straightforward.

I'll give you four great reasons why we shouldn't shy away from offering simple designs to our clients:

1. FAST - I loaded up this up baby quilt and stitched it all out in an hour's time.
2. EFFICIENT - My machine uses the smaller L bobbins and this took less than one bobbin.
3. PROFITABLE - The faster and more...

You know what they say about April showers... they bring May Flowers!

April was a dreary, wet month where I live in Central Iowa and it's actually continuing into the first few days of May. But we have hope that sunshine and flowers will appear very soon!

I really love Scandinavian design and I hope that comes across in this simple tulip-esque pantograph. To jazz it up just a bit, I added a scalloped edge to the repeat. It should be a great choice for the upcoming spring quilts in your queue. 

May Flowers could be used both on traditional and modern quilts—the scale is adaptable, as well. I'll give you my details for this sample below.

 
Here are my specifics using a baby-sized sample in the photos (45" x 45" quilt size):
Row height: 3"
Gap: -1"*
Pattern height: 4"
Offset: 50%
Backtracking: none

*Gap refers to the space I'm allowing between rows. I use an Intelliquilter for my computerized quilting, and because that measurement is quantifiable, I provide it here.

The row h...

 Mako

I promise I'm not six years old and obsessed with sharks... even though both of these designs happen to named after sharks. I don't see it becoming a trend.

I came up with this design about a year ago. I originally named it Shark Smile because

1. the repeat looks like a shark's tooth
2. there's a song called "Shark Smile" from a band I love called Big Thief. Click here to listen to the song.
   
   

For fear that this blog post could start to remind you of those recipes you find online with an ENTIRE personal story attached {when you just want the recipe}, I do have a brief anecdote.

We saw Big Thief perform "Shark Smile" in Des Moines several years ago. The venue was so small and intimate. At one point of the song, the lyrics are "...as we went howling through the edge of south Des Moines". After the song ended, the lead singer talked about being nervous to sing that line in front of us—I don't know if she realized it beforehand. It was the perfect thing to say. We all c...

Meet Fleur Drive. It's got a sweet sophistication that'll add a touch of class to your next quilt top.

The scalloped bottom edge of the motif has a beautiful way of integrating into the row below. One man's ceiling is another man's floor, as Paul Simon would say.

The stitching is simple and straight-forward. It does require every other row to be offset or staggered.

Here are my specifics using a baby-sized sample in the photos (45" x 50" quilt size):
Row height: 3"
Gap: -1.225"
Pattern height: 4.225" (distance from the top to bottom of the repeat)
Offset: 50%

I use an Intellquilter as my computer system, so your terms might differ. I can tell you I started with a pattern height at nearly 5" and it was too large of a scale for my taste... so I ripped out the first row and started again. Part of that might have been due to the scale in relation to this smallish quilt.

There's no backtracking with this design. It does require a 50% offset, or staggering every other row.

I have to be honest and say I wasn't very excited about this design until I stitched it out. The moment I did, I was smitten by the texture! In fact, this sample has remained "staged" around my home well after the pictures were taken and it continually catches my eye! 

When I was designing it, I had a draft of the shape saved as Keyed in the computer... because the one repeat looked like a type of a key? I'm never sure how these things take hold, I just knew it needed a new name. Naming is hard! I want a name that is unique so that it won't be confused with other pantographs on the market and it's always nice if there's an element of the design that ties to the name in some kind of way.

I asked Josh for naming suggestions and he thought that the design looked like a little sailboat which made him say "Yacht Rock". And obviously, that had my interest right away.

Yacht Rock is a hard-to-define genre of music, although the Wikipedia entry here will help paint a picture.

Th...

I get naming fatigue when I'm working on lots of pantograph designs, often at the same time. I like to have practical names so that I can remember essentially what they look like without opening the files, but then those names don't often translate well to the marketplace.

This is one of those designs that I really can't recall what it started out being, but after I saw "snake eyes" I couldn't really see anything else. Longarm League member Lin Miller suggested the name Glancing in our Slack channel and immediately I knew that it was a better title than Snake Eyes.  Or maybe I should have cut right to the chase and named it Kaa after the character in Jungle Book. 😁 It wouldn't be the first time a design of mine inadvertently took on the shapes of animated Disney characters. 

What I DO remember about this design is that it's easy to stitch out with no backtracking. Huzzah! 

When setting the design up in a computerized system, it does require every other row to be offs...