Longarm League member Rebecca Grace Quilting (if you like reading quilting blogs, you'll love Rebecca's!) sent me an email a while back with a photo of home dec fabric, noting the design would make a great digital pantograph design.

I agreed wholeheartedly and tucked it away in my brain to think about later. You see, being the "Commish" of the Longarm League means that 95+% of the time, I'm working on all things other than designing pantographs. I love this part of the job, though, and hope to devote more time to it in the future.

 The leafy design was very appealing to me, but the biggest problem was that I could NOT figure out what portion of the design I could repeat to get the overall effect. It took a few days of playing around in Art and Stitch and doodling on my Remarkable tablet to crack the code.

Once that code was cracked, the other major dilemma was to figure out how to sequence the stitch path so that it'd make "nice" lines. It was pretty clear that I'd ne...

You know what they say about April showers... they bring May Flowers!

April was a dreary, wet month where I live in Central Iowa and it's actually continuing into the first few days of May. But we have hope that sunshine and flowers will appear very soon!

I really love Scandinavian design and I hope that comes across in this simple tulip-esque pantograph. To jazz it up just a bit, I added a scalloped edge to the repeat. It should be a great choice for the upcoming spring quilts in your queue. 

May Flowers could be used both on traditional and modern quilts—the scale is adaptable, as well. I'll give you my details for this sample below.

 
Here are my specifics using a baby-sized sample in the photos (45" x 45" quilt size):
Row height: 3"
Gap: -1"*
Pattern height: 4"
Offset: 50%
Backtracking: none

*Gap refers to the space I'm allowing between rows. I use an Intelliquilter for my computerized quilting, and because that measurement is quantifiable, I provide it here.

The row h...

This is not a drill. I was able to work on a quilt top I started making for myself back in 2017.

About a month ago, I was invited to a quilting retreat at Stitch Supply Co. in Altoona, Wisconsin. I had the best time! It really supercharged my desire for patchwork again. Now I want to finish WIPs and start new projects with the fabulous fabric I bought there.

For this project, the quilt pattern I used is called Mini Modern Heart. It's actually a foundation paper piecing block I designed to use up small scraps of fabric. It certainly is a good pattern for doing just that!

My original intention was to make one block per day for a year—but, you know—life happened and I came up WAYYYY short of my goal.

At the retreat, I decided to wrap-up the project once and for all. I abandoned my original plan (365 blocks) when I realized that I had enough blocks to make a nicely sized lap quilt.

And guess what?! I ended up with 11 columns of 13 blocks each, which is drumrolllllllll... 143 ...

Quilty friends, naming designs is hard work. I was struggling to come up with a name for this design so I texted my mom and sister a photo of the finished sample, asking them for help. My sister's first response was Beleaf It Or Not and I laughed out loud so much that I had to go for it. 

Seinfeld—because of the huge influence in our lives—has become part of our shared language. 'Beleaf It or Not' immediately reminded me of the episode that features George's outgoing answering machine message where he changed the words to the song "Believe It or Not". 

THAT is what makes me giggle every time I think of it.

When I design edge to edge pantographs, my number one goal is to create interesting textures. I really love the repeated round shapes of the "leaves"—or as quilters would call them, feathers.

 
Here are my specifics using a baby-sized sample in the photos (45" x 45" quilt size):
Row height: 5.94"
Gap: -4.86"*
Pattern height: 10.8"
Offset: none
Backtracking: none

*Gap refe...

Quilty friends, this design is called Sprawl. 

I love, love, love using echoed lines and shapes to make a textural impact. You can see that I used that technique with this design while also incorporating a small curve. 

 
Here are my specifics using a baby-sized sample in the photos (45" x 50" quilt size):
Row height: 3"
Gap: -1.478"*
Pattern height: 4.478"
Offset: 50%
Backtracking: minimal

*Gap refers to the space I'm allowing between rows. I use an Intelliquilter for my computerized quilting, and because that measurement is quantifiable, I provide it here.

The row height PLUS the noted gap amount totals the "pattern height". If you don't use an Intelliquilter, you'll likely want to start sizing with the pattern height number and adjust the spacing between rows to your liking. You may not have a measurement available that tells you the measurement between rows, and that's okay. 

We've begun adding a PDF to our zipped file so that you can print out design images and add your ...

This digital pantograph design is called Bookmarks. Can you see why? Josh and I thought that it looked like those markers that you can slide over a page to keep your pace in a book.

This design is as geometric as it gets! It includes straight lines, angles, and circles. If you have a quilt with column-like or vertical elements, this design would certainly accentuate it. I see this as being a good fit for a modern quilt top.

Here are my specifics using a baby-sized sample in the photos (45" x 50" quilt size):
Row height: 4"
Gap: -2.25"
Pattern height: 6.25"
Offset: none
Backtracking: minimal

I use an Intellquilter as my computer system (on my 20+ year old APQS Millennium), so your terms might differ as far as row height and pattern height. Basically, the pattern height is the total measurement from the top to the bottom of the design.

The only bit of backtracking is a quarter of the bigger circle as it travels from the outside of the shape to the inside of the shape.

This is Exes. 

What I love about the design is the combination of straight and curved lines. Not only that, but the curved lines are echoed to make an even bigger impact. The straight lines give an overall argyle effect, making triangle and diamond shapes emerge.

The result of the straight and curvy lines is a unique texture that employs a bit more "negative" space built into the design than a lot of my other designs.

Technically speaking, the stitch-out is easy. You will have to offset or "stagger" every other row by 50%.

Here are my specifics using a baby-sized sample in the photos (45" x 50" quilt size):
Row height: 4"
Gap: 0"
Pattern height: 4"

I use an Intellquilter as my computer system, so your terms might differ. You do not have to adjust the space between rows as using the offset of every other row will prevent any overlapping.

There is a decent amount of backtracking involved in this design. I didn't find it troublesome as I was stitching it out. You can ...

I'm going to be honest and let you know that this is likely the only whole garden you'll ever see me cultivate. The two "plants" I have in my house are plastic. I tell myself it's because of the naughty cats.

I know, I know! So many quilters also love to garden, so I feel like these are fighting words. But, I gotta be me!

I was captivated by the idea of making fanciful floral shapes that looked "illustrated"—if you will—with no particular directionality.

I think this design would look great on quilt tops for kids, or for modern tops, or even quilt tops with a Scandinavian theme, if you'll allow me to get super-specific about it and my influences.

I'll also state the obvious and say this digital pantograph design could also be great with floral-themed quilts! Or with quilts using a lot of solid fabrics or negative space. You know... to add some extra interest and texture.

As a digital pantograph designer, I like to disguise "hard rows" whenever possible. I experimented wit...

I love a classic Orange Peel moment! This design is a simple variation on a classic that adds a touch of sass... as long as sassy and elegance can coexist.

Let's face it, one of the reasons why Orange Peel quilting works so well is because it's simple and extremely versatile.

You could easily use this design on modern tops or traditional tops and it'll look great on both. In fact, I think the classic design is made a touch more modern by having the echoed "peel" within each shape. And when used on a traditional quilt top, I think that's when it could read a bit fancier.

I could also see this design lending itself well with floral-themed quilts.

Another major benefit of this design is that it's multi-directional. It's going to look the same whether you load your top sideways or not. If you are trying to save time and capitalize on efficiency, loading the long side of the quilt to the leaders will mean advancing and re-aligning fewer times.

As for set-up, there is no o...

Instead of a soulless (😂) solid sample quilt, I'm so happy to share the special quilt I made for my new niece, Kate! 

It had been such a long time since I'd done any sewing. I really love the entire quiltmaking process, so it was fun to get out the rotary cutter and domestic sewing machine again and work on something new.

And what better reason than a new baby in the family?

I "kept it simple" by deciding on a classic sawtooth star quilt. I picked fabrics from my stash and used the same fabric for my background throughout the quilt. I didn't need instructions because I've made this star so many times in the past. I did make myself a general "map" as I was cutting fabrics and making my stars. Feel free to use my decidedly unfancy pattern:

 If you need a little more to go on than this, google sawtooth star, you'll likely find hundreds of patterns/tutorials.

Can we talk about the quilting already?! Ha - as a longarm quilter, it's my favorite part of the process.

I des...